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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Transition from Renaissance to Baroque in instrumental music ： ウィキペディア英語版 Transition from Renaissance to Baroque in instrumental music In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music. Partly these changes were ''revolutionary'', deliberately instigated by a group of intellectuals in Florence known as the Camerata, and partly they were ''evolutionary'', in that precursors of the new Baroque style can be found far back in the Renaissance, and the changes merely built on extant forms and practices. The transitions emanated from the cultural centers of northern Italy, then spread to Rome, France, Germany, and Spain, and lastly reached England. In terms of instrumental music, shifts in four discrete areas can be observed: idiomatic writing, texture, instrument use and orchestration. == Instrumentation == One key distinction between Renaissance and Baroque instrumental music is in instrumentation; that is, the ways in which instruments are used or not used in a particular work. Closely tied to this concept is the idea of idiomatic writing, for if composers are unaware of or indifferent to the idiomatic capabilities of different instruments, then they will have little reason to specify which instruments they desire. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Transition from Renaissance to Baroque in instrumental music」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.